TIETA MACAU + ABEJU RIZZO + ELTON PANAMBY + INAÊ MOREIRA | HAUNTS AND TRENCHES: WHAT HAPPENS AFTER THE WORLD ENDS (?)

TIETA MACAU + ABEJU RIZZO + ELTON PANAMBY + INAÊ MOREIRA

HAUNTS AND TRENCHES: WHAT HAPPENS AFTER THE WORLD ENDS (?)

“The deep in the bull’s black eyes is the cowboy’s science”
(oriki do caboclo)

Get the vision. Focus your eyes on a blurry, color charged image, flesh red. Give me your eyes. Grab it you’re your mouth: the night and the day from the dark river bottoms, cradled in golden stone beds, arrivals from far away, from the woods full of sounds (do you feel the humid taste, from the compost to the green?), turning tides, from spirits turned into stones: we come in renewed skin to catch glimpses. A multisensory creation which crosses multiple platforms, Haunts and Trenches is a shadow in time, an ancestral glitch and a historical delay. A spear thrown at the colony, a machete wielded to protect the offspring, presences that do not end in a necroptic frame, rather scaly snaking through the abyss. A trench that is an open haunt, at the crossroads, at the swamp. A figure passes fast, keeping watch. Firefly and pearl. For whom and how does the end finish? Calligraphy goes in a spiral, so take off your shoes to enter. Agô.

 

Oct 03 | 7PM (GMT -3)
Watch here (soon)

 

CREDITS

Production Tieta Macau e Abeju
Conception and performance Abeju, Elton Panamby, Inaê Moreira e Tieta Macau
Sound Editing Elton Panamby
Designer and Social Media Abeju
Scenography João Almeida
Costume Fernanda Sá (Nana Saias) e Marcos Ferreira
Video capture André de Oliveira
Editing Luiza Fernandes
Partners and Collaborators Ilê Ashé Ogun Sogbô, Pai Airton Gouveia, Mãe Aila Gouveia, Mãe Angélica, Zezinho de Légua, Faixa Encarnada, Guarazinho, Kayantèssuvi Otá, Ana Duarte, Angélica Moreira, Casa das Matrizes, Gessica Silva, Xama Teatro, Fernanda Preta, Filipe Espindola, Txai Panamby, Verô Monteiro, Terra Sábia, João Aleixo, Ayomi Moreira, Welligton Gadelha